Contents
Some examples below, full transcript in photos:
1. James Elkins, “Intuitive Stories”, in Stories of Art, New York, 2002
2. Clive Bell, “The Aesthetic Hypothesis”, 1914, in Francis Frascina and Charles Harrison (eds.), Modern Art and Modernism. A Critical Anthology, London, 1982
3. Roger Fry, “An Essay in Aesthetics”, 1909, in ibid.
4. Clement Greenberg, “Towards a Newer Laocoon”, 1940, in Francis Frascina (ed.), Pollock and After. The Critical Debate, London, 1985
5. Clement Greenberg, “Modernist Painting”, 1965, in Francis Frascina and Charles Harrison op.cit.
6. Erwin Panofsky, “Introductory”, in Studies in Iconology, New York, Hagerstown, San Francisco, London, 1962
7. Michael Baldwin, Charles Harrison and Mel Ramsden, “Art History, Art Criticism and Explanation”, 1981, in Francis Frascina op.cit.
8. Arnold Hauser, “The Sociological Approach: The Concept of Ideology in the History of Art”, 1958, in Francis Frascina and Charles Harrison op.cit.
9. T.J. Clark, “On the Social History of Art”, 1973, in ibid.
10. Jean-Francois Lyotard, “Introduction”, in The Postmodern Condition, Manchester, 1984
11. Michel Foucault, “Preface” and “Classifying”, in The Order of Things, London, 1986
12. Jorge Luis Borges, “The Library of Babel”, in Labyrinths, London, 1964
13. Hal Foster, “Postmodernism: A Preface”, in Hal Foster (ed.), The Anti-Aesthetic, Port Townsend, 1983
14. Nicolas Bourriaud, “Foreword” and “Relational Form”, in Relational Aesthetics, Paris, 2002
15. Walter Benjamin, “The Author as Producer”, 1934, in Francis Frascina and Charles Harrison op.cit.
16. Roland Barthes, “The Death of the Author”, in Image Music Text, London, 1977
17. Jorge Luis Borges, “Borges and I”, in Labyrinths, London, 1964
18. Janet Wolff, “The Death of the Author”, in The Social Production of Art, London, 1981
